Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Monday, September 7, 2020

CHADWICK BOSEMAN: A SUPER HERO GONE TOO SOON LIFE, DEATH, AFRICAN AMERICANS, AND COLON CANCER

The August 28 death of actor Chadwick Boseman saddened the nation and the entertainment world and conjured up images of his groundbreaking role as Black Panther in one of the highest grossing films in the United States of 2018. Boseman’s death from colon cancer at 43 also provided a useful, if grim, reminder of the impact of the disease on African Americans and the need for effective counter measures in that population.

Boseman notoriously guarded his privacy, so he never told the world he’d been diagnosed with the disease in 2016. He kept acting, enjoying his Black Panther success while undergoing treatment.

 

A Short, Spectacular Career

Boseman grew up in Anderson, South Carolina, the son of a nurse and a textile worker. He earned a fine arts degree from

Howard University in 2000 and began a career focused on writing and directing. He only started studying acting because he hoped doing so would give him a better understanding of actors in his directing work. Though he kept writing plays, Boseman soon found success as an actor in television, beginning in 2003 with appearances in Third Watch and later in Law and Order, CSI:NY, and ER.

Boseman made his real mark in movies. In 2013, he played Jackie Robinson in 42, a movie that grossed $97 million against a budget of $40 million. Ironically, Boseman died on Jackie Robinson Day, the major league baseball players wear

Robinson’s No. 42.   A year after 42 Boseman portrayed legendary soul singer James Brown in Get on Up. Boseman in 2017 played a young Thurgood Marshall trying a rape case in Connecticut, long before Marshall became the nation’s first black U.S. Supreme Court Justice.  Then came Boseman’s biggest moment.


The Cultural Phenomenon of Black Panther

It’s difficult to overestimate the impact of Boseman’s work in Black Panther. Our March 8, 2018, post recorded our reactions to the film, reactions that demonstrated our individual approaches to entertainment, cultural phenomena, and racial issues. Woodson juxtaposed the film’s “confident and competent” depiction of people of color with the harsh portrayal presented by the current President of the United States. Rob viewed the picture in the context of other action movie franchises.  Henry, a long time Super Hero fan, discovered a movie that forged a spiritual connection with a world he’d longed for, but wasn’t sure he’d ever inhabit.

In tribute to the actor, Henry wrote, “I found immensely satisfying seeing a movie, in a genre in which I’ve reveled so long, depict a world that left no question of my own humanity and celebrated the notion people of African descent can be, and are, good or bad, human or inhuman, smart or not-so-smart, wise or unwise, compassionate or cruel.”  He continued, “Black Panther brought alive my own spirit and helped maintain a faith in humanity that’s been challenged in the last few years.”

For African Americans like Henry, who have worshiped in the Super Hero movie world for years, Bozeman’s performance provided hope. Death, rebirth, and courage brought the mythical hero to the hearts of people longing for a symbol rising above the reality of past bondage and continued oppression. Boseman, in the Black Panther role and in his portrayals of famous men, important men like Robinson, Brown, and Marshall, showed America people of color who altered history. They changed whispers to roars and helped move myth to reality. In tribute, Woodson observed, “Chadwick Boseman’s life and death expressed the urgency of now – embracing life’s calling and pursuing it to the end.”

As one of Henry’s grandchildren expressed it, “Black Panther is the baddest Super Hero ever.” In spite of Boseman’s enormous achievements by age 43, one can only imagine what his contributions might have been had he lived a normal life expectancy. Perhaps the fitting thing we should say now is, “Chadwick Boseman, forever.” 

 

A Dark Side and a Reality Check

Boseman’s life has been celebrated by celebrities and ordinary people for good reason. His death, however, conjured up harsh realities the nation ignores at its peril. He died of colon cancer as a young man. That fact creates a sobering circumstance that requires closer examination.

Blacks suffer from colon cancer at significantly

higher rates than other racial groups. Black men are 24 % more likely to develop colon cancer than whites, with
black women stricken 19% more often than whites.
African Americans have a 15-20% higher death rate from colon cancer than whites.

The explanations don’t differ much from the

explanations for other health disparities between the races – diet, obesity, lack of screening, lack of access to health care generally. Significantly, blacks develop the disease at younger ages than whites. Many doctors now suggest blacks get screened for colon cancer at 45, instead of 50, the age now normally recommended for such tests.

Even that might not have changed the outcome for Chadwick Boseman. He was 39 at the time of his diagnosis. A lower initial screening age might not have caught his disease early enough to have started treatment that would have extended his life beyond the 43 years he got. Outliers often exist and he apparently was one. Still, Boseman’s case, and his tragic death, remind the nation generally, and the African American population specifically, of the need for early testing and overall vigilance about a disease that can create such havoc.  

Getting an early colon cancer screening is something we whole heartedly recommend. 


 



 

Thursday, March 8, 2018

BLACK PANTHER: Significant and Entertaining



Except those who’ve been on another planet since its February 16 release in the United States, Americans are engaged in a cultural hullabaloo surrounding the movie Black Panther.  The picture, starring Chadwick Bozeman (Get on Up, 42, Draft Day), Oscar winner Lupita Nyong’o (Twelve Years a Slave), and Michael B. Jordan (Creed, Fruitvale Station), set advance box office records for a February release and, by the end of the month, $763 million worldwide and counting, almost $422 million of it in the United States and Canada.

Much commentary about the movie focused on its sociological implications as a film with an overwhelmingly black cast, an African-American director (Ryan Coogler), and a story centered in the mythical African country of Wakanda.  As Time magazine’s cover story put it, “Rather than dodge complicated themes about race and identity, the film grapples head-on with the issues affecting modern day black life.”  That story noted that Black Panther “tackles another important genre,” the superhero film that deals with “issues of being of African descent.”  

The movie strongly appealed to African-Americans and drew critical acclaim because it showed black characters in roles depicting various human dimensions.  It received broad praise as a movie that matters, partly because, as the Time story concluded, “[its lead character] is our best chance for people of every color to see a black hero.” Indeed, whites flocked to the movie, just like blacks, helping it set those box office marks.

We asked ourselves why the movie resonated so well.  We offer three reasons reflecting what we suspect attracted different swaths of moviegoers.

Henry writes:
I confess to being a superhero guy.  I started reading superhero
comics as a kid and kept reading them into adulthood (bet my judicial colleagues didn’t know that!).  Superhero movies come naturally to me.  But this one was different.  For one of the few times, the superhero looked like me and for the first time, almost all the supporting cast did too.  As that Time story noted, “Those of us who are not white have considerably more trouble not only finding representation of ourselves in mass media and other arenas of public life, but also finding representation that indicates our humanity is multifaceted.”
I found immensely satisfying seeing a movie, in a genre in which I’ve reveled so long, depict a world that left no question of my own humanity and celebrated the notion people of African descent can be, and are, good or bad, human or inhuman, smart or not-so-smart, wise or unwise, compassionate or cruel.  Black Panther brought alive my own spirit and helped maintain a faith in humanity that’s been challenged the last few years.

Woodson says:
We could write volumes about how people of African descent have been negatively depicted in film, television, theater, and literature. This depressing trend in American mass media has dismayed African Americans.  The Obama Presidency gave African Americans a sense of vindication that they were the equal of whites, when given the same opportunities.  Black Panther may well show this disgust resides in places other than the African American community.  The general acceptance of, and interest in, the film could demonstrate that significant numbers of white Americans also desire seeing people of color depicted in ways that don’t insult and offend. Many of them also pulled for Barak and Michelle Obama.  They too wanted to take race off the table. In the age of Trump, it’s been put back on the table, to the disappointment of African Americans and those same whites.  I’m convinced Black Panther gives both groups hope for leveling the playing field.  The film satisfies that thirst, at least for an evening.  

By offering a black world brimming with confidence and competence, yet not excessively idealized, Black Panther gives white America a vision of a world different from that espoused by a President who reportedly dismissed the 54 nations of Africa as “shit-hole countries.”  Many white Americans know that’s not real; in fact, it’s demonstrably false.  Barak Obama, after all, was Kenyan and American.  By seeing Black Panther, it’s possible they voted with their feet – and their movie money – against a regime of racial isolation in which all black people lack competence, courage, or humanity.       
   
Rob observes:
I get the sociological stuff.  There haven’t been many movies presenting black people in such a positive light or exploring the themes this movie does so compellingly.  That’s not, however, why I found it a pleasant way to spend a Saturday afternoon between basketball games and work.  It’s just a good film with a great story line, excellent cinematography, solid acting, and riveting action.   

The movie reminded me of my favorite long running, multi-episode
film franchises: James Bond and Star Wars.  I’ve seen every one ever made, including the Star Wars prequels (Episodes I, II, and III) so many don’t like admitting they saw.  Black Panther struck me as 007 meets Luke Skywalker, Auric Goldfinger channels
Emperor Palpatine.  Black Panther came complete with a black female “Q” (Shuri, played by Letita Wright), gadgets and all, a white American CIA agent (isn’t Everett K. Ross really Felix Leiter?), and a battle between warriors about to get pushed into the abyss (Obi-wan Kenobi v. Anakin Skywalker in Revenge of the Sith).  I didn’t see the Bond or Star Wars movies for a sociological message.  I saw them for entertainment, just what I got with Black Panther.


What did you think of Black Panther?